at returning to the charts and it failed to yield any hits. The personnel had changed considerably and the new members helped bring about a shift to a hard-edged blues-rock sound. There are some trippy, almost psychedelic moments and the title track is just about as cutesy poppy as the version of this Hair staple that Oliver scored with, but the rest of the album sounds more like Iron Butterfly. For fans of late sixties/ early seventies, this set offers up some tight musicianship, especially that of founding member Mark Weitz on keyboards, and very manly vocals. (Edwin Letcher)
Monday, January 16, 2006
The Strawberry Alarm Clock - Good Morning Starshine CD (Collectors Choice)
This was the band’s last effort at returning to the charts and it failed to yield any hits. The personnel had changed considerably and the new members helped bring about a shift to a hard-edged blues-rock sound. There are some trippy, almost psychedelic moments and the title track is just about as cutesy poppy as the version of this Hair staple that Oliver scored with, but the rest of the album sounds more like Iron Butterfly. For fans of late sixties/ early seventies, this set offers up some tight musicianship, especially that of founding member Mark Weitz on keyboards, and very manly vocals. (Edwin Letcher)
at returning to the charts and it failed to yield any hits. The personnel had changed considerably and the new members helped bring about a shift to a hard-edged blues-rock sound. There are some trippy, almost psychedelic moments and the title track is just about as cutesy poppy as the version of this Hair staple that Oliver scored with, but the rest of the album sounds more like Iron Butterfly. For fans of late sixties/ early seventies, this set offers up some tight musicianship, especially that of founding member Mark Weitz on keyboards, and very manly vocals. (Edwin Letcher)
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